Wednesday, 27 December 2017

Apology Gift

Wellllll after keeping everyone in the dark for so long and then pushing back the release date by two months, I felt kind of bad.
So, to ease my conscience and for no other reason at all (except, maybe, to get you MAD INSANE EXCITED FOR FEBRUARY), I have decided to make the first chapter of Vol I: The Fall available, here only, today!
Are you as excited as I am?!

(you aren't)

(you might be after you read it though)

So uhh, without any further fanfare, I guess...

This chapter contains a strong trigger warning. Ignore this to avoid spoilers:
TW suicide

EPILOGUE

Insects sang and chirruped, but all the birds were silent.
Boots crunched on desert rock, the steps soft and even and purposeful. Ahead, firelight burned; the hunching forms of tents hovered on the edge of vision in the endless dark, casting looming shadows in the twitching light, but their neat rows were deserted. There was life within some of them, and sparse patrolling activity, but as the steps walked intentionally between the rows they seemed to be utterly alone. Even the fires guttered in this cold deep dark.
Suddenly, the boots stopped. On their left was a larger square tent, a formal affair of canvas and wood; on their right, a softly-crackling campfire. The boots turned toward the fire, and waited.
A dog limped from the darkness behind the tent. There were deep cuts in its flank and shoulders, and its pale fur was crusted brown with half a life's worth of blood. Clearly it was in immense pain, every movement stiff and slow, but its eyes were bright, and when it alighted upon the man between the tent and the fire its body slumped with relief and joy.
The dog's tail went up despite its limp, its ears lifting as its golden eyes filled. Its whole body wagged as it pushed his head against the man's leg, searching for harm, searching for love. The man's fingers tightened as if to snap and warn it back to a respectful distance - and then went loose. He dropped onto his haunches, and let the dog nuzzle the palm of his hand as he dug his fingers into the soft spot behind its left ear; the dog let out the softest hfff, and closed its eyes for a moment. The man let the dog lick his neck and chin, and then with the softest laugh pressed his nose to the side of its muzzle, and closed his silver-steel eyes.
For a moment they were stationary, faces together, with the dog's thick tail beating a breeze close to the warmth of the fire, and orange-yellow flames flickering in the stone-like face of the man.
Slowly, he put one hand behind the dog's ears, and the other at the base of its neck.
Leaving the broken, bloodied dog half-curled and limp at the edge of the fire, the man straightened and simply breathed for a moment. He took a step, and when the boot landed it was on a narrow paved path surrounded by trees, the desert and camp and dog gone.
The depth of night, dawn still a few hours hence, was a ripe time in the forest. The land watched and listened; the air was heavy with its collected breath. Ahead, a villa loomed, dark and abandoned. It spoke of a place of life and commerce, but now it was empty and cold. No torches were lit along the path or walls, the only light the moon between the trees, and no greeting came as the steps took the man slowly past the stables and kennel. The man's head twitched as he passed them and wound around the villa, to the slaves' entrance dug into the ground, but he made no motion to change his path.
Inside, he reached into his cloak and pulled out a handful of fine rich yellow powder. In one fluid motion, the man tossed it toward the nearest empty furnace; his other hand brought out a handful of something else, and where they caught in the air and in the furnace white-yellow flames blossomed.
It was with an easy twist of his hand that he gave the fire strength, form.
For quite some time he stood before the furnace, hands moving as if manipulating the flames as they strengthened and grew. Sweat beaded beneath his clothes on on his face, and the fire glowed on his skin and armour as it became hot and close, but he seemed unaffected as he worked with the flames.
When the heat was sweltering and the fire in the furnace was huge, the man left the now-bright room, with its layered flickering shadows and sweltering orange air, for the cold darkness of the pre-dawn. And it was now, truly; there was no tint of light in the sky, but the world knew when it was supposed to wake, and it was ready. Still it watched, though, as if there was something that had to happen first.
It seemed as if something was missing, in this waiting watching life-filled forest; all the sound in the world was insects and the rustling of leaves, and even the crackling of the furnace was muted as the door swung shut. And then along with the insects and the leaves was footsteps again, expensive leather boots on neatly-laid paving slabs, this time around the villa, past the stable and kennel, and then up the main path, to the entranceway.
The floors were cold, and the walls were dark; after a moment, the man removed his boots before he stepped further inside. As he crossed the atrium to a darkened study, his pace was slow and intentional.
The contents of the desk were scattered; books and scrolls lay on the floor, ink spilled staining the wood, and even in the chaos things seemed to be missing. For a moment, the man surveyed the carnage. In the darkness, his brow twitched ever so slightly downward.
He used crumpled parchments to wipe up the spilled ink. He re-organised the books, including ones still hidden, and placed them in chronological order in piles on the desk. Then he crossed - strides faster, but still controlled and calm - to a bedroom, and retrieved two books hidden there; one had already been found and taken. Another was retrieved from the dining room, and another from the wall of the garden, and then when he was done he stood and looked at the desk.
For a moment, the man seemed to grapple with something internally. His face was set and his eyes cold, but just as the forest seemed to lean in and watch, so his own body was poised and fighting.
Sharply, he turned. He took up an unlit torch from the wall, and when his fingers brushed the handle flames burst forth, no powders mixing in a bright flash this time. He crossed the villa, to the bathhouse above the furnace below.
Steam rose from the water, greeting him warmly as he closed the door behind him. He fit the torch into its sconce, and turned to the bath.
As the man undid his cloak, his hands were still and sure. Pulling it from around his shoulders, he folded it neatly and laid it on the tile beside him. His belt was undone, sword and dagger aligned perfectly parallel, and then went each of the straps of his armour, which joined the cloak.
His breaths had started to accelerate. Hands on his tunic, the man stared down at the flickering firelight reflection of his face in the water, until the eyes were silver-steel and the hands were still.
Then he removed his tunic and his undergarment, and folded them both beside the cloak and the armour and the belt.
All that was left was a leather harness on his shoulder, and the sheath it held against his ribs, and the dagger inside. Staring directly ahead, at the mosaic wall painted orange in the torchlight, the man stepped down and slipped into the bath.
There were goosebumps along his skin, and as the heat enveloped him a shiver jerked at his body.
Breathing slowly and steadily, he took the dagger from its sheath and carefully made two clean cuts in the leather. With great care, he removed the harness and placed it behind him, with the rest.
For a second, he paused.
He raised one arm carefully above the water; it trailed on his skin, wet and warm and dripping loudly in the hollow emptiness of the room, and his breaths were shallower now and his eyes wavering in the reflection of torchlight on water.
The man made one neat cut, precise and unwavering, from halfway down his forearm to his wrist. Blood welled immediately, and for a moment he stared at it as if transfixed.
Another few seconds passed as he stared at the pouring blood and the blossoms of darkness like ink in the water.
Then, transferring the dagger to the other hand, the man made the other cut. At the last second, his hand hitched, and before the blade left his flesh it juddered and tore the skin.
He placed the dagger back on the tile, fingers trailing blood. It spilled into the water and turned it pink, and then dark.
His breaths were coming faster. Silver-steel eyes blinked, and became bright blue-grey with tears and terror. Suddenly fighting for breath, chest heaving, the man leaned his head back against the tile, arms resting on the warm surface of the water. His bright blue-grey eyes were unfocused; though they stared at the wall, as blood pulsed headily from his forearms his lips moved softly and his fists suddenly clenched as his face crumpled. Just for a second, stone seemed to crack.
"I'm sorry," the man whispered, the words slurring, almost unintelligible.
All around the villa, and in the water and the stone and the flame, the world pressed in to watch and wait.
As the bright blue-grey eyes became glassy and blank, and his body slipped down so that water snatched at his skin and pulled his face beneath the surface, the terror vanished in an upwelling of something else. His lips turned upward, and formed the outline of whispered words that were lost in a cascade of bubbles which broke thickly through the blood-dense water.
And it was like this that the man died.


Got questions? Good! Save them for the release of Sylvestus Vol I: The Fall in February 2018, and get excited! Too excited to wait? Check out my previous novel, Each Separate Dying Ember, available as paperback and ebook today (and any other day, really), on Lulu, Amazon, and more.

Saturday, 23 December 2017

Sylvestus Vol I New Release Date


Due to extenuating circumstances, I was forced at the end of November to make a decision: I could rush through the final stages of publishing Sylvestus Vol I and get it out by the original date; or I could do what I promised I wouldn't, and push back the release date, giving it more time to be perfect.
Neither option seemed desirable, and I somewhat neglected to make the decision until it had almost been made for me. Both choices felt like failing you all in some way.

So, after discussion and thought, I have decided to move the release date of Sylvestus Vol I: The Fall to February 2018. This will give it more time to get the finishing touches and publicity it - and you - deserve(s).

So, time to start getting excited again and prepare for February!
Best wishes for everyone's holiday season, and for the new year.

This is probably a funny metaphor for me trying to write in December or something

Friday, 24 November 2017

The Main Message

I probably don't have to say that there have clearly been some... Issues with promotion and publishing of Sylvestus recently.
I feel as if I've been putting off making a post about it because that will acknowledge that there is a problem, and also because I don't really have a specific reason that I can talk about. The short (and pretty poopy, lbr) excuse is that university has hit hard. There's also some personal issues, but that's the main of it. I could go into the number of 14-hour work days I've been pulling and all the personal commitments that fill the remaining hours I'm not sleeping or trying to grab food in, but that's not a great avenue to start down - the fact is, I don't have anywhere near as much time to write and publish as I have before. I didn't anticipate the pressure I would be under, both in time and mental commitment, when I agreed to the December deadline.

Realistically at this point, I've been given two options. Either we push Vol I back, or I let it go out much less polished than I had hoped. Honestly, neither feels good - but it's that or allow one of my other commitments to go under in a big way. In the past writing has been my entire life, but unless I suddenly start selling hundreds of thousands of copies and landing massive book signing deals at San Francisco Comic-con, I can't continue to shove the rest of my commitments to the side as I have in the past.

All of this is quite depressing, which I didn't want to go for, but there's not really much hopeful you can talk about when the main message is "it's going to be late or shit, sorry guys".
Soooo maybe we shouldn't make that the main message?
Maybe the main message should be that actually, things are pretty darn great. My first year of university was very difficult emotionally and mentally. I had a lot more time and I did a lot more academic work and I wrote 350,000 words of Sylv in a year, but I wouldn't have really said I was enjoying the university experience.
That has, without a doubt, changed. I never thought writing could realistically take a backseat, and I hesitate to think of it like that in case it does seem like I'm throwing my ultimate dream and passion under the bus for some new fun times, but I am putting other things first. Sylv is a responsibility as well as a passion, but it's the one I'm getting paid least for, right now both economically and emotionally.

I don't really have an answer. I'm not stopping writing or changing my plans, but I also can't say for sure yet whether Sylv will be late or half-edited or unpublicised...
I have a duty to my university, and to my friends, and to the people affected by all my other commitments, and I have a duty to my readers too. So, this is me in the scant ten minutes I could scrape out of today's schedule, updating you because it really wasn't fair otherwise.
And I have a duty to myself, to look after me as well as all of the rest of you.

Nothing more to say, really. What's the main message? If you love my writing, I apologise but buckle up because it might be a bumpy month. If you love me, just know that I'm so busy I'm honestly surprised I'm still functioning - but also that I'm pretty sure I am still functioning, and at a fairly high capacity too, because I'm not just fuelled by caffeine and stress: I'm running on how fucking much I'm enjoying every second of it.
I'm also taking quite a lot of naps. So far my favourite naps have been backstage during the tech run of a show, on someone's lap during a rehearsal, on a sofa in the middle of the student union cafe, and in a very, very long immunity lab while waiting for the centrifuge to finish.
See y'all soon. God be willing, I'll have something to actually show you before you all give up on me.

Indication of my mood post-nap

Thursday, 26 October 2017

Until It's Done

Sometimes you need to give yourself a day off, and stay in bed until your head stops pounding and it doesn't hurt to exist.

Sometimes you need to stop, no matter how important it seems, and leave it alone, and focus on breathing until the thought of it doesn't make you feel sick any more.

Sometimes you need to look after yourself rather than every other responsibility in the world, and let go of the one thing that's just too much until everything seems more bearable.

Sometimes you need to accept your boundaries and reach out for help until someone can reach in and pull you to safety.

And sometimes you need to take a deep breath, and make coffee, and put on some music, and keep going until it's done.

Saturday, 21 October 2017

Sylvestus Vol I: The Fall

I am proud and slightly overwhelmed to be able to finally announce...

 

Sylvestus Vol I: The Fall

"Can you finally tell us what it's about!?"
Yes! I can!


""He has chosen you, Sylvestus. He has known you, and if you free him... No god could help you then."

There is something hidden in Anteria. Despite years of war, the Roman forces have been unable to overwhelm native resistance, much of the land remains unsettled, and a fire-wreathed tiger stalks the dreams of the invaders.
The new assault from Roma brings with it Sylvestus Atrox Nigrum, a man respected by his superiors, revered by his soldiers, and well-versed in the mastery of mortal things. Sylv has as many secrets as the island, and after six years, his plans are ready to come to fruition - all he needs is a board on which to play his turn.

As the tide of the invasion begins to turn to Roma's favour, there are whispers of a power that could destroy the invaders and restore the natural order of the island. Something is hidden, imprisoned, something with the ultimate power over all life on the island. The natives whisper that Nahvo'que must be freed - and it has always been in Sylv's nature to conquer.

Anteria will bring to light all the secrets Sylv has spent a lifetime mastering.
Sylv has always been in control, but there are forces larger than the petty games of men at play on Anteria.

What if he could master Death?

Sylvestus Vol I: The Fall will be available directly from Lulu from a date yet to be announced this December. It will be rolled out to eBook and other retailers in the following weeks. Keep an eye out in the meantime for promotional material, sneak peeks, and more!

Too excited to wait until December?
  • Check out the Sylvestus page on this website to see all of the artwork and material that's come before
  • Browse all the posts related to Sylvestus to find out more about the writing and creation process
  • Like and follow the new Facebook page to get updates directly into your feed
  •  If you haven't already, how about satiating your need to read something I wrote by buying Each Separate Dying Ember? Also available from Amazon, Barnes & Noble, Kindle, and other retailers
  • Get into the mood with the Sylvestus playlist!

 

... And breathe

 

Monday, 16 October 2017

IFAQ

Q: Wait, an IFAQ?
A: Yes. Infrequently Asked Questions. Of course

Q: Why tho
A: Interesting way of posting information, innit

Q: ... okay. What information do you have to post?
A: Pretty much just that the major re-draft of Sylvestus Vol I is done, and that I finished the probably-final cover design today (about one year after making the first concept art for it)

Q: Oh, cool! Can I see the cover?
A: Sure just send £20 directly to my Paypal (or wait until the official announcement, Soon)

Q: When's "Soon"?
A: When it happens 

Q: Okay then. What's on the cover?
A: Some pictures and some words and stuff

Q: ... What pictures?
A: Good ones

Q: What words?
A: There's a few. Several of them are "Sylvestus". Some of them are my name. "The" and "But" appear occasionally

Q: Why are you being so vague?
A: I'm playing hard to get

Q: Why make this post at all then?
A: Because frequent posts engage the audience and increase website traffic and I was very happy that the cover went so well (so far), but I can't actually release any proper information until the release announcement

Q: Ooh, release announcement! When's that?
A: S--

Q: Were you going to say "Soon" again?
A: ... It was a possibility

Q: Right. Well then. Any other news?
A: Idk. I got some baby rats I should probably show you pictures of but I'm tired and they're a pain to get from my phone to my computer. I finally achieved the student goal of getting a deadline wrong and having to complete an assignment in like three hours. I'm gonna be in a play, so that's cool (y'all should come to Swansea and watch it)

Q: Oh. Was that it?
A: Pretty much yeah

Q: You made me click on that link and come to this website and read all of these stupid questions so that you could tell me something pointless, be rude to me, and then plug your play?
A: And I told you about some rats I refused to show you a picture of. Don't say I don't treat you right

Q: You treat me horribly.
A: That wasn't even a question

Q: Is this supposed to be funny?
A: Kind of yeah but I'm super-tired and a bit delirious. Hope I at least elicited a tepid sigh of amusement from you

Q: ...
A: ...

Q: Can I leave now?
A: Please.

Monday, 2 October 2017

Zen

As you may have guessed from my last post, writing has not been going so great.
The day after I wrote A Haiku About Writing (which was to procrastinate writing Sylvestus) I actually had a really good writing day. Two days, in fact. Then it all kind of... Went downhill again.

I don't think I'm as good at coping with stress as I think I am. This is because when I'm overwhelmed with stressors, I don't actively feel constantly stressed and harassed. I feel, generally, what I consider to be normal with some... Exceptions. Brief flashes of white-hot anger over petty things. Alternating days of hyperactivity and lethargy. Bad sleeping. Stomach sickness. Tension headaches and jaw clenching. Itchy-bone feeling. And, of course, the eventual hysterical laughter or tears (usually both) which lets it all out.
With moving house effectively twice in one month, four university assignments due, the Sylvestus deadline, and a few other life stressors/time consumers, I was aware that I should feel stressed, but I didn't really feel it. I didn't even put together all of the above symptoms (which I should be able to by now; it's happened often enough) until, trying to write and repeatedly hitting a brick wall earlier today, I realised that due to the shifting of plots and character arcs I probably wouldn't be able to fit in my favourite one-liner from the original draft - and immediately started to hysterically sob.

This made it click for me that I am, in fact, probably quite stressed at the moment. That's when I added up all the clues and decided that, yes, I am probably repressing my stress but is, inevitably, still there. The cry helped, though, allowed me to step back and see where I was standing. I have to be so careful about my mental health, and it's a constant consideration that borders I think sometimes on paranoia. Am I looking after myself? Am I more stressed, moody, anxious than normal? Am I slipping back into bad patterns? Is taking a nap after an exhausting productive morning instead of downing some caffeine and finishing everything laziness, or self-care? Is doing a forty-minute high-intensity workout even though every muscle already hurts from yesterday's self-care, or dangerous? Has this depressive episode lasted longer than it should have? Is this energetic sleepless period normal, or mania? It seems like every small obstacle I encounter - or every small victory I manage - I'm comparing myself to my highest and lowest points so I can figure out where I stand and prepare for the future.

Last week, I had to call an ambulance for myself. I had been working out to try and combat period cramps (normally I curl up with painkillers and a hot water bottle and cry for the worst few hours, but I'd read that exercise during the start of the cramps, before the worst kick in, can help reduce them) when suddenly the pain got so bad that I couldn't stand up and actually started to vomit. This isn't the first time this has happened, but it was then followed by a painful paralysis in my hands and feet, which started to spread to my face. I felt like I couldn't breathe, which was when I decided that an ambulance might be wise.
My favourite part of this story when telling it is describing hitting the screen of my phone randomly with my numb brick of a claw-hand and by some miracle managing to actually get 999, then trying to describe my symptoms and give my address while unable to feel my tongue or breathe.
It wasn't funny at the time, though. My defence mechanism (and my habit) is to laugh about things afterwards, to turn them into a big funny story, and I think overall this isn't the worst wayof dealing with trauma. But when I was hitting my phone randomly with my numb brick of a claw-hand I wasn't thinking about how funny it looked, I was just terrified down to my bones that I wasn't going to be able to get through, and that I would suffocate, and that no-one would find me, and that I would die alone like this here on the bathroom floor...
The ambulance crew arrived and stayed with me until the symptoms passed. Then they explained: the numbness in my hands and feet had been caused by oxygen overload as an after-effect of the workout, pain, and vomiting, as well as my naturally low blood pressure. I had then begun to panic so much that the problem escalated, and became dangerous. I wouldn't have died alone on the bathroom floor (probably) but it was still not a safe situation.
At the time, I blamed it all on the cramps: anyone would start to panic and make it worse if they had unexplained paralysis and vomiting, right?
This week, I... Concede that my own mental state probably did contribute somewhat.

I tend to go all-out with emotions. Love or hate, misery or joy, glee or terror - I can't really produce anything that constitutes a moderate reaction. This also means that when literally anything happens, my reaction tends to be both polar and instant - which is not always the ideal way to produce a reaction to something that only requires mildness and sensibility.
So yes. Last week I (stoked on by sickening pain but nonetheless in my own fault) panicked myself into paralysis. It's scarier looking back on it that way. It's never happened before, which makes me worry that maybe my mental health is deteriorating back to a very low point.
But then I was packing my clothes.
I pulled off a jumper, and underneath was a broken hanger. It's made of wood, and it's still functional - just the bottom part is missing.
I remember when it went missing, because I tore it off.
I'm not going to talk about that period of my life too much here. It was terrible. Details don't belong on this blog. But it's what I'm constantly measuring against when I try to figure out my current mental and emotional state. I barely survived it, and if I feel myself tipping anywhere near that level again, I need to do something.
It was the hanger that reminded me, though, exactly what that period felt like. Sometimes I forget; I spend three days irritable and anxious and not sleeping and wonder if I should be worried. But the fact is, I tore that wooden clothes hanger apart in a fit of violent rage that came almost out of nowhere - and I was having those episodes... At least twice a day. For years. Of course you can blame all of the overwhelming stressors from that period, but the actual push was something minor. But I remember what it felt like. White-hot and blinding. I was physically incapable of not lashing out - my limbs moved without my consent - and it was either break something around me, or hurt myself. That's as much as I'm going to say on it. It hurts just to describe it and remember.
Sometimes now, I get hit with flashes of rage over something minor. It's a cue that I'm in a bad place; someone moved something of mine and I can't find it, and normally I don't mind at all but if I feel the need to punch something, I need to be careful and initiate some self-care tactics.
But the thing is, I don't punch things when it happens any more. I don't curl up in a tiny space and blast music through my headphones at full volume until the migraine makes me sick to drown out the rest of the world. I don't shove people away from me and hide in the school toilets rocking and sobbing for two hours.
I might work out to burn off the anger/anxiety, or remove myself from the stressful situation before it gets that bad to listen to some music and calm myself down, or cry for ten minutes on the floor because the dog ate my chocolate orange, but it's nothing like those literal years I spent feeling nothing but alternating anger, fear, sadness, and the blissful relief of complete dissociation.
Recovery hasn't been linear. At all. It's a cliche, but it's an important one. It's what it's hard to remember sometimes. I have a line drawn in my life which divides the Bad and the After. There was some good in the Bad period. There has been bad - a whole fuck-ton of it - in the After; enough that I can't bring myself to call it the Good.

I let myself get so worked up last week that I ended up needing an ambulance. This was a bad thing and I shouldn't have let my repressed stress get that far, but it's been a decent warning.
I haven't torn apart any hangers in a few years, so overall I'm still coping a lot better than then.

I like to take on new challenges, and I like the idea of a life full of pressure which goads me to strive and do better. I thrive in exam conditions. Pulling all-nighters to finish assignments looks glamorous; a schedule full of hobbies, writing, academia, and fitness regimes (and of course a full social life on top) seems desirable; literally driving yourself to paralysis from stress sounds like a laugh.
It wasn't much of a laugh, to be honest. I wish it was, and I told everyone the story that way, but it was just scary and painful.

After my cry about the one-liner needing to be cut, I felt quite calm and relaxed. I had some hot chocolate and a Penguin bar. I finished my Ikea blueberry juice. I looked back at the draft, and concluded that the joke could get re-worked and put into Vol. II, and even if it didn't, I could always hold onto it for another time. Only me and my Sylvestus beta-readers would ever know it was missing.
Then I closed the draft. I slowed my breathing down, and I unclenched my jaw.
One could certainly argue that I need to find my Zen, but Zen is something I slip in and out of, and in this moment, with all these realisations, I really do think I've found it. You need to be hysterical before you can be calm. I always start exam seasons unnaturally chilled, build to a brief breakdown, and then proceed with a motivation and energy I lacked before I let myself get hit with the hysteria.

So... I guess there's a few points to this post. But they're sort of the same point.
Recovery isn't linear, life isn't linear. You will draw a line in your life and say that all came before was the bad, and all that comes after is the good, but they will bleed into each other.
Regardless, you will recover if you try to.
Sometimes it's not easy and you'll want to go back.
Don't.
Sometimes you'll want it all to be over.
Don't.
Sometimes you'll think you can't survive.
You can. You survived worse than this. If the worst is yet to come, then so is the best.
When you forget how far you've come, look back at where you were. It will hurt but it's a good reminder.
Drink water. Give up things that hurt you, including ones you don't want to give up. Unclench your jaw. Go outside once a day. Sit in the dark and listen to music when you have to.

You are a miracle of moving parts, a study in survival.
(credit - the raven boys, maggie stiefvater)

Keep going.
My tattoo, inspired by the quote from Maggie Stiefvater's The Raven Boys, to remind me where I have come from
 

Friday, 29 September 2017

A Haiku About Writing


 "Fuck fuck fuck fuck fuck
Fucking fuck fuck fuck fuck shit
Fuck fuck cock balls fuck"
~Tatiana AS Webb 29/09/2017

Saturday, 23 September 2017

Water Under the Bridge

When the pressure gets tight, my general response is to write.
When it's writing that's causing the pressure, I panic.

Not really true. Sometimes I do excessive amounts of art of the thing I'm supposed to be writing, because that's creative and close enough, right? Sometimes I just procrastinate and like... Study, and stuff. Most often, I... Well, I write.
Just not what I'm supposed to be writing.

Normally, I consider this a good thing because there's not actually much "pressure", so it's good to get my brain in another place, give what I've been writing some space, come back to it with a fresh head and new inspiration.
Now, I can't do that. Sylvestus needs to be finished, which means no breaks.

When I started in April, I worked out how fast I was actually going to have to work, and decided it didn't look so bad. I decided it's time to add context to that.

An Approximate Timeline of Tatiana AS Webb's Novel-Writing Career:

The Red Prince
350,000 words
19 months
2012-2014
 Never published

Seeking
 120,000 words
15 months
2013-2014
Published 2014
(withdrawn 2017)

Each Separate Dying Ember
140,000 words
18 months
2014-2015
Published 2017

Sylvestus Atrox Nigrum
210,000 words
13 months
2015-2017
Never published

Sylvestus Vol. I
Predicted ~120,000 words
6 months
2017
Due 2017

If you want to do some calculations on that, feel free; I did them once, but like... I didn't write them down. It's also worth noting that all of that is from memory and reference to "A'ight I know I was writing that during this life event..." so like... Not that anyone's checking, but accuracy is potentially not the most umm... Accurate.
(do you know how hard it is to make words do the thing outside of a novel??)
On the surface, I think it's easy to look at this and think that my writing accelerates and decays almost randomly. Four months fewer for Seeking than The Red Prince, but 1/3 of the word count? This might be true to a degree if you take into account other life commitments (lower secondary school, then GCSEs, then A-levels, and now a Bachelor's degree - plus work and theatre which have come in and out in the meantime) but actually, I think this timeline is incomplete in the scheme of my overall writing. These are my completed novels, sure, but for a long time novels were just a small part of what I wrote.
Before I started the very first The Red Prince in May 2012, I wrote a lot with online communities. A lot. They come and go in cycles, and I had been working with them on various plots and stories since about 2009; they're active for a year to eighteen months, and then they suddenly die, without warning, for six months or more. Most never come back. The one I worked with from 2010 always came back, but after the first time it went inactive in March 2012 I was left stranded - I had gone from writing hundreds of words a day to having nothing at all to put my mind and inspiration to.
Then I had the first idea for The Red Prince in May, and suddenly I knew what to write.
And why not? I didn't have anything else to write any more.
I had started novels before, of course, trying to write with no plot or plot the whole thing before writing, hesitantly discovering Word documents or just scratching out pages in notebooks I still have stuffed in drawers - but this was my first big commitment. And somehow, 19 months later, 350,000 words down, I finished it.
For reference, I believe The Hunger Games is about 100,000 words.
I may have gone a little overboard.

My community actually started up again a few months into The Red Prince. I re-joined and balanced my time.
When it went inactive in early 2013, I started Seeking - even though The Red Prince was still halfway done.
Since then, that's what I've always done: two projects at a time. Either two novels, where I alternate between them every few months, or a novel and a writing community. By the time I finished the first draft of Dying Ember, I had been writing thousands of words for the community almost every day on top of the novel (and A-levels, of course).

I stopped that habit halfway through Sylvestus Atrox Nigrum (now adapted to Sylvestus Vol. I & II). I wanted to be more serious and focused, so no community writing, and if I was going to get novels out on a reasonable schedule, I couldn't keep splitting my energy like that.

It's added complications. I tend to go steady on writing something for a while, then suddenly get a burst of energy for it, then burn out. I then can't touch it for anything between a week and six months. Then repeat.
Writing communities prevented the surges of inspiration and burn-out by steadying my progress. Two simultaneous novels gave me something else to work on for a few days/weeks/months, until I burned that out too and went back to Project A.
I have taken some small breaks to touch on Red and [City Novel], but otherwise it's been pretty much solid Sylv for a long time.
I hit burnout about three weeks ago, and I hit it bad.
I went from being far ahead of my schedule and still smashing out a chapter every two days, to having my deadline smack me over the back of the head as it overtook me again for the first time since about June. This is, honestly, what I was worried about; I currently have a desire to write, but when I try to touch Sylvestus I just get bluescreen. But I daren't get into anything else, in case I get too into it.
I need to finish this draft in about three weeks. I'm not gonna' lie, that thought is currently making me feel a little


But we'll... Keep going. I'm sure I can force something out in that time. And like... It is then going to be edited, right?
I've never actually written a novel to a strict deadline before. It's a different experience than I'm used to.

I blame music a little; since I discovered Spotify a few years ago, I make a playlist at least four hours long for writing each novel, which includes character-relevant songs, but also atmosphere and mood (different to the public playlists, which are a more reasonable one hour long). Because I've been listening to the Sylv playlist for like two years, I can't listen to it now if I'm not writing, because I just get bored. The result is that I listen to my Red, [City novel], and [Pyrate novel] playlists quite a lot - studying, travelling, cooking. Then I get more into the mood for those; that song has such a good atmosphere, I'd rather write in that place than in ancient Rome; that song is so emotional, I'd rather write that relationship than those in Sylvestus... Among other things, my characters and worlds live in music, and if I'm listening to the wrong music, I can't get back into that world.
Consequently, in an attempt to beat down my inappropriate Red feelings (the equivalent of shoving Rheimer bodily into a box while he squalls and kicks and tries to climb back out), I've been listening to Claire Laminen's Across the Formidable Sea playlist.
I wouldn't really say I have a "kind of music", which is evidenced if you look at the contents of my various playlists and albums; I have a few genres I won't touch, but other than that I'm game. The AtFS playlist, however, still contains music I... Wouldn't normally listen to.
And I'm currently obsessed with it.
In particular, I'm losing my mind to this at least four times a day now:



And y'know what? I think it's working. Aside from a few cases of "Ooh, I could so steal that song for my Red playlist...", the atmosphere of AtFS is so different from what I write that there's no crossover in my Creating vs. Consuming brains.
So I guess I'll keep belting out off-key Adele, shoving Rheimer back under the bed, and drinking Ikea blueberry juice until I can coax Sylv onto the page again.
And if you're lucky, I'll even let you look at the Sylvestus playlist next month.

And yes, I stole the title of the Adele song for this post, because I am truly phenomenally terrible at post titles, and you can probably make a metaphor out of my old novels or my problems with writing being water under the bridge, or something. Idk. Whatever you think would work as a metaphor.
As the Welsh would say (but probably not really), joio.

Genuine live-action image of me enjoying the AtFS playlist with my new headphones, because I couldn't be bothered to draw a representation. You can tell it's not Water Under the Bridge that's playing because I'm not visibly losing my mind and shrieking along

Wednesday, 13 September 2017

Bird People, or Beople,

Just kidding.
Imagine if that's what they were called though.
Nice.

Well, what's basically happened here is that I got bored of my attempts to draw a Sylvestus thing, and I drew a Dying Ember thing instead. It's something I've wanted to draw for a while, but that never ended up being what I did draw on the occasions I've taken to my sketchbook recently. My brain has been in such a Sylvestus place for a while, sometimes it's hard to remember I have another, pre-existing novel.
It ended up being some wonderful comments by another author slash writey-friend, Claire Laminen, which triggered my switch in subject material.

Click to enlarge
I'm pleased and vaguely surprised with how it turned out. It was also extremely fun to draw. I think I just really like wings.
There's two sparrowhawks in there, two falcons, some buzzards, an osprey, two kites, and a barn owl. I looked at some eagles and vultures but by that point I only had the tiny right bottom corner left and I... Couldn't be bothered. The ones on there are pretty enough.
I've been wanting to talk about something like this for a while, and I think this has made itself the perfect opportunity. There's also gonna' be a metaphor in there. Advanced, I know.
Since even before I started to write Dying Ember, I've been fascinated by the potential physiology of bird-humans. Maybe just humans with wings, but how much further could you take it? The conventional perspectives in literature which includes humans and bird wings are either evil biological experiment to implant the wings onto living people, or supernatural or magical creatures which therefore don't have to abide by such petty things as physics. There was a big surge in the late 2000s shooting down the impossibility of winged people, and although I barely understood all the big words like torsion angle and body mass ratio at the time, the fascination of how to solve all those problems stayed with me.

In 2014, I drew a conceptual piece trying to determine a suitable bone structure and organ system for bird-people.

To this day I'm still proud of it, and stick with what I drew here in terms of the shoulder structure and, to some degree, organs. Birds and mammals have completely different respiration systems, but also hormonal glands and chest shapes and spines and hips... Combining the two was intriguing and fun.
What I drew yesterday was much easier, and much faster (about two and a half hours, compared to the fifteen or so I think on the 2014 piece) but, to me, just as important.
As the eagle-eyed (eyyy i'm sorry) may have noticed, in yesterday's piece, all of the people have tails as well as wings. In all earlier artwork, they do not. I'd been considering adding tails to them for physics reasons for a long time, but the image just didn't work in my head - I quite like the effect it has in these in-flight drawings, but I have tried to draw tails on them before, and to visualise them while writing, and it just... Didn't work. But the thing is, they would definitely need tails for control, balance, slowing, acceleration, and... Well. Being able to fly. Drawing all of the different poses above really clarified that for me, especially working out how the tails would have to contract, expand, raise, and lower to direct their bodies in different directions.
The story I run with is that instead of reptiles evolving feathers for insulation and display, then using them to glide and eventually fly, it was early primates. Therefore, all Earth's evolutionary history shifted so that winged humans, rather than birds, ruled the skies. And only birds of prey, because Cannibalism is Bad and I'm less intrigued by pigeon-people (if it makes you happy to have pigeon-people in your mind's version of Dying Ember, though, go ahead. They're all yours).
But there's a reason reptiles developed into birds, not mammals (excluding that it might just have been chance). Birds' lungs are controlled by the same muscles as their wings, just like reptiles' limbs are, so their respiratory system is different. Their digestive systems, while varied between the raptor taxa, are largely more adapted to be able to store food in a place that it won't affect their ability to fly, before gradually being digested in multiple chambers. In the 2014 drawing I did something toward reconciling this with the mammal digestive system, but they're different enough that there isn't really a reasonable middle ground. The Long-Wings in the novel are described as being on average slightly smaller than Short- or Broad-Wings, but in actuality anything larger than a real modern-day gyrfalcon just wouldn't be able to achieve the speed and agility described of Dany and the other Longs (and the biggest people would have to be about three and a half foot tall, the size of the largest modern day flying raptor, the Andean condor). Plus, the more you look into it, the more it kind of... Falls apart. I draw and visualise the characters of Dying Ember with bulky double-shoulders - the wing-joints just above where we have our arm-joints, and their arm-joints below those. In reality, having arms at all would just add a whole host of extra problems that would probably result in some very unattractive and complex solutions. The heads on some of the drawings above were ungainly and difficult to draw; raptors' heads are that shape for a reason, and I think to look forward while they fly the characters would get some damn sore necks, unless they had incredibly long and flexible necks that could bend back and forth at will. Oh, and their legs would probably have to have short thighs and calves and ankles of equal length to tuck well into their bodies...
The reason raptors are the way they were is evolution and physiology. The more you go into it and pick holes in bird-people, the more you try and solve, the more you just end up with...
Birds.
So if you don't want to visualise Kiah and North and Dany and co. as being three foot tall with weird vulture necks and tails and monstrous body-builder chests and flamingo legs, constantly vomiting up their meals to try and re-digest them... It's okay, dude. Just picture them how you want.
It's fiction. We can have fun and investigate the possibilities and play around with physics and biochemistry, but in the end their universe has a fundamental difference to ours, and whatever the details of that difference, the outcome is this: bird-people work.

I do a similar thing with Dying Ember. And with Sylvestus, and that's not even published yet.
You want it to be 100% perfect before it sees the light of day, but the truth is that it will never be 100% perfect. You just have to draw a line when you're satisfied enough, and publish that.
And then you spot more things after the line. Like that they aren't actually biologically possible. Or that there are types of raptor that aren't Short-, Long-, or Broad-Winged (kites - red, black, Brahminy, all of 'em - are some of my favourite birds, especially to watch in the air, but they don't come under this very simplified classification. Owls are completely different anatomically, and varied within themselves. Clay is a Broad and an osprey, but ospreys aren't actually broad-winged in the same way as eagles or buzzards. It goes on).
Or that a minor character has two surnames that are mentioned at different points and no-one spotted it and now she's just out there changing her surname halfway through the novel and please, let no-one else notice this now that I've said it...
There are plot holes in Harry Potter, and The Raven Cycle, and Game of Thrones (well, season 7 at least. still loved it tho. theon my boyyy). There are typos. There are mistakes.
Do what you can. Draw a line in the substrate of your choice. Put it in the light of day. Every time you change the lighting or move to a different angle or leave it alone and go back to it you'll see more flaws, but you know what?

It's not real.

Take a breath. Draw some bird-people with tails even though they don't have tails in the novel.
Have fun.

How you, too, can feel when you let go of your inhibitions and Just Enjoy the Fiction

Monday, 4 September 2017

Hobbiton

Well, it has... Been a while, huh?

In fairness, things have been Happening. Unfortunately, writing isn't my full-time profession, as you may have gathered (if you want to change that, force my books onto your friends, family, colleagues, partners, enemies, local book stores!) - the result is that I can't afford to spend as much time as I'd like not just writing, but on all the accessories.
So what was it this time? Partially, just life stuff. Sylvestus. Pretty art. And then, moving into our new university house!

I am the tallest member of our new house, and I am 5'4". Consequently, our house has already been christened within our Biological Sciences community as Hobbiton (or The Hobbit Hole). It's nice, significantly nicer than the student village was last year (though that wasn't difficult), but moving in has been an understandable hassle. Next week I'm on a five-day field study in Pembrokeshire, and then two weeks after that we start lectures - with three pieces of coursework due already. Oh, and the week we start back I'm going to be getting three baby rats moving in with me.
To stick to my Sylvestus release date, October is going to be busy working on it. The deadlines are looming in life and writing, and on top of that managing this website is becoming an ominous shadow over all of that. It's important, but it may have to take a backseat while I focus on living, studying, and publishing.

In keeping with my normal nature, Hobbiton is a suitably characterful place. It's an incredibly good house for the money, and by student standards, but it ah... Possesses some individualities.
So far we have discovered:
  • My bedroom doesn't have a window. It has a sliding patio door which has been chained shut. It opens about three inches. I am not on the ground floor;
  • A small roof directly below my sliding patio door which, presumably, is why it does not open all the way as it does not appear to be a very stable roof. However, many students before me have been, it seems, creating a tradition of adorning it with things which they can throw out of the three inch gap it opens by;
  • A garage door at the end of our back garden, which is locked shut by a massive chain and a fist-sized padlock we don't have a key for. Upon inspection from the top floor, it is apparent that it does not lead to a garage, but rather to the alleyway at the back of the house;
  • The light directly outside my bedroom, which is on the second of four floors, is controlled by switches on the bottom and top floors;
  • A hook akin to that which may be found beside someone's front door with a hanging basket attached, on the ceiling just out of reach of the top floor balcony which looks over the floors below;
  • Just beyond this, what appears to be a door set into the wall. A metre from the balcony, several metres above the floor below. It has a sign on it telling us not to try and climb into it. It's a very good job I don't drink any more, because drunk-me would definitely try;
  • A small concrete step in one corner of the kitchen, entirely pointless but apparently for the purpose of causing a great deal of tripping, toe-stubbing, and swearing;
  • We won't get broadband installed for another week, but one can pick up the university campus WiFi - but only from one corner of my bedroom (this is where I am currently typing). The campus is a twenty minute walk away. Sometimes it's strong enough to watch Netflix with only occasional buffering. The network is only accessible from this one place in our house, except one time when I picked it up for about ten seconds in the kitchen;
  • The only mirror in my bedroom is wedged behind the desk. RIP mirror selfies;
  • All of the lightbulbs had been removed from the bedrooms and hallways when we moved in, but we did find several boxes of them in a desk drawer;
  • The downstairs toilet has a glass door.
As I say, it has character, if nothing else. Frankly, I would expect nothing less.

Last year, I lived in a quite different place. The student village was the cheapest campus accommodation - and it was quite clear why. It had been under order of demolition for at least five years, and while we lived there they actually demolished part of it, which resulted in frequent losses of water, WiFi, electricity, buses, and launderette facilities (we lost at least one a week. It was a roulette of living standards. We got a £20 refund at the end of the year, though, for our troubles).
Aside from the general phenomenal awfulness, however, it did have one thing going for it besides being cheaper than just about any student accommodation in the country: its name.
Because this is Wales, it had a Welsh name. Actually, student in Welsh is my least favourite Welsh word of all:
Myfyrwyr.
I know the English were horrible colonists and tried to wipe out the Welsh language and it's a glorious piece of heritage we must preserve and it sounds beautiful when spoken, etc., but.
Myfyrwyr.
It doesn't even have a vowel.
I have a problem with Welsh which isn't Welsh's fault, but rather mine for being a genuine idiot. Like, I'm intelligent but I'm not... Clever. In Wales, all signs are written in English and Welsh. In north Wales, the Welsh goes first; in south Wales, the Welsh goes second. When I first moved to south Wales, I encountered a very unique problem: I keep forgetting I can't read Welsh.
Automatically, I just look at a sign and try to... You know... Read it.
Except that I can't read half of it.
But my brain doesn't register that it's Welsh and therefore I can't read it. I just see something that I can read the first half of and not the second, and think I've had a stroke.
Of course, I then go back to England and encounter the opposite problem: when I've been in Wales for a few months I learn to skip over the Welsh. The result is that I only read every second line of every poster or road sign - meaning that in English I just miss half of what it's trying to say.
I've asked around, and apparently most people aren't this stupid.
It's just me.
 
The student village's name was pronounced Hen-druh-voy-lun. But how was Hen-druh-voy-lun spelt?
I'm glad you didn't ask.
In my first year in Swansea, I counted four ways that it was spelt. I managed to collect photos of three of them, although I don't doubt there were more.

To me, this was absolutely hilarious. What's better than living in a place no-one knows how to spell?

Hendrefoilan


Hendrefoelan
Hendrefoilian
At least you can't spell Hobbiton wrong very easily.

Tuesday, 8 August 2017

Housekeeping

'sup ✌

If your eyes feel funny at the moment, it's because I changed the theme a little bit. Mostly just adjusted some colours, and also changed the background image. I spent a long time trying to decide on a background image, had a few ideas for cool ones I could make, and then settled on one I'd already dismissed because it was easier than making one of the cool ones. It's a sunset in Portugal through a chain fence. Enjoy the pretentiousness.
Also, mostly the slight colour changes are because I changed them a lot, decided I didn't like them as much, but couldn't change them back to what they had been before, so I kind of had to guess where they were before. Some of them are Wrong. But I still think it looks pretty, if slightly different.
Of course, your eyes might feel funny because you have hayfever, or a migraine, or something. You should probs see a doctor.

In terms of other changes to the website, some super-observant people may have now noticed the Click for Smiles link - feel free to check it out if you need smiles (and you do need smiles, even if you don't think you do). It's still in development, but the idea is just to make a collection of cute animals for those moments when your heart is just a little heavy. I know it's not much, but it's something, and sometimes something is all you need.

Another housekeeping note (that's all this post is actually) - two weeks ago, I passed the halfway point-ish with the second draft of Sylvestus Vol. I! It was actually slightly ahead of schedule, which felt great yet also terrifying; I had written a phenomenal amount in that week, enough that I was worried about burn-out. I didn't want to risk running too hard and completely losing the ability to write (or at least write well) as sometimes happens if you let your momentary enthusiasm burn out your motivation and energy in a short period of time. It's always tempting to let those fire-storms carry you into the ocean, but over the years I've learned to try and manage them more carefully, preventing, or decreasing, the dreaded block that can come afterwards. What I ended up doing was writing some [City Novel], which I said in this post I wouldn't be touching again for a few years - hey, it was fun.
It still feels weird with Sylvestus, because it's reached the point where at any point, I can sit down and write and it's decent. But it's not especially exciting, and I don't feel like what I'm writing is revolutionary. Normally at this point I'd just stop, and write something else for anywhere between a week to three months - I don't really have time to do that, now. So I'm going to keep pushing, as best I can, and hope it starts feeling like amazing quality again sometime soon.
There's still plenty and a half left of the Sylvestus project left to do, and I'm not even at the halfway point since I set the deadline yet - but I figure, if I started writing it in about January 2016, and its publication deadline is December 2017... I am definitely three-quarters there overall. Exciting stuff.

Finally, a little about Wrought Its Ghost, the Dying Ember short story I published here a few weeks ago. It isn't necessarily spoilery, but it does take place after the events of the main novel, so it probably won't make much sense unless you're familiar with the final act of Dying Ember.
I had the idea for something like this a long time ago - pretty much as soon as I knew that someone was going to die (I didn't know who, yet), and how the Prelim would work. The premise was simple: a survivor enters the Prelim in order to see the dead one final time. The chapter or epilogue, whichever it would be, would be set "from the perspective" of the dead person - as they were encoded in the Prelim database.
It didn't fit the tone of the end of the novel, so it couldn't land as an epilogue, and it got cut as a chapter from the end. But I still loved the idea, and wanted to do something with it. In the end, it was Beta who encouraged me to do it; shortly before the final publication of Dying Ember, I was looking for short pieces to write to get me back into the mood of it, having been writing Sylvestus for twelve months by that point. She made a few suggestions, and one of them turned into what would become Wrought Its Ghost. Then I just knew I had to do something else with it; it was too good to sit in my draft box having been seen by only one person, beloved as that person may be.
Actually writing Wrought Its Ghost was more difficult than I had anticipated. I am competent enough with self-taught HTML to be able to alter graphic codes and website skins, but other than that I'm pretty clueless. All I know is there's a lot of > and lines. It did, however, make it interesting to investigate how to go into the workings of the Prelim - the initial idea was that the computer programme would recognise speech, expressions, body language, and actions, and then relay them back to find within its database of the inanimate person how they would respond in speech, expression, body language, and action. Plus, how would it register injuries and how this affected each person? What did it consider to be "dead"? Dany points out that suicide or accidental death resets the programme rather than counting it as a win/lose, so how would the programme determine this?
It all got kinda' complicated, but I answered as many questions as I could and produced something which, if far from a functional programme code, is at least recognisable as the silhouette of one - and, most importantly, is still understandable to a layman. What was more important was that a reader should understand what the heck is going on.
I then had some trouble with what to call it, and looked back to the original poem which inspired the title of Dying Ember: Edgar Allen Poe's The Raven. I used to be able to recite the first half of the poem, thereabouts, so when I was looking for a title for the cool new novel I was writing, it was this which I turned to. Similarly, within the novel North is a fan of Edgar Allen Poe, and on several occasions recites parts of it. When he sees the "backstage" of the Prelim, he compares it to the line:

"Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore."
The full poem can be read here (there's also some gorgeous narrated versions on YouTube).
As soon as I looked at that inspirational line again, I knew what it was going to be called.
There's also another short story (again, written in a different way to the normal narrative of the novel) sitting out there, which one day I might publish here. We'll see how it goes! I generally feel that things like this should be done in threes, and to put it simply, I don't have a third one or an idea for one yet. One day, maybe. If I ever do come up with it, y'all'll be the second to know (Beta will be the first. Soz).
And to finish off, enjoy something I found recently which made me laugh, a lot:

Nearly three years ago, I was stuck on what to do for the Fifth Discipline. I knew that it signalled the end of "part one" of the novel, that from here everything shifted gear, but how to mark that change? Suddenly, at 2am and probably with school the next morning, I had The Greatest Idea. Too exhausted to write but terrified I would forget the idea again, I logged onto my computer, created a new draft, and simply wrote, LASER TAG. Thus the legendary Fifth Discipline (and a joke made by Junayd several chapters later) was born
Some writers make complex plot diagrams. Some plan using the "snowflake method", and fill out character sheets, and keep moodboards and envelopes with all their key inspirations in.
I wake up in a cold sweat, write two words down, and then go back to sleep. Just the way things go.

Wednesday, 26 July 2017

ESDE Short Story: Wrought Its Ghost

>>programme initiation: "start"
>>programme: "2644/993/hqkwvsstf61"
>>active participant:
>>>>NORTH _ YORK_55791204
>>>>BW
>>>>FERR.BZ.
>>>>"1"
>>>>"11"
>>opponent:
>--------OVERRIDE
>>database access:
>>.....
>>permission: GRANTED
>>opponent:
>>>>JEDEKIAH_KHOURY_47257283
>>>>SW
>>>>SPRHK.
>>>>"418"
>>>>"199"
>>programme: "INITIATED"
>participant UNMOVING
>>facial recognition: running
>>..
>>facial recognition: "SHOCK"
>JEDEKIAH_KHOURY_47257283 database response:
>"SNARL"
>JEDEKIAH_KHOURY_47257283 database action:
>"GRAB KNIFE#139"
>participant UNMOVING
>>facial recognition: running
>>....
>>facial recognition: "SADNESS"
>JEDEKIAH_KHOURY_47257283 database response:
>>.....
>>NO DATABASE RESPONSE LOGGED
>>>IGNORE COMMAND
>>standard response:
>"ADVANCE#772"
>"SPIT"
>"BITE TONGUE"
>"GRIP#067"
>participant SPEAKING
>>speech recognition: running
>>........
>>speech recognition: ((i _ did _ think _ this _ through _ but _ you _ weren't _ trying _ to _ kill _ me _ ha _ ha))
>JEDEKIAH_KHOURY_47257283 database response:
>>....
>>NO DATABASE RESPONSE LOGGED
>>>IGNORE COMMAND
>>standard response:
>"LUNGE#169"
>"CLICK#033"
>participant STEPPING BACK
>JEDEKIAH_KHOURY_47257283 database response:
>"TWIST#493"
>"SLASH KNIFE#081"
>participant SPEAKING:
>>speech recognition: running
>>............
>>speech recognition: ((don't _ know _ why _ i _ thought _ that _ this _ is _ just _ like _ real _ aaaaaahhhh _ fuck _ aahhh))
>>injury report:
>>>participant
>>>"96813"
>JEDEKIAH_KHOURY_47257283 database response:
>"LAUGH#212"
>"SPIT"
>"STAB#731"
>participant SPEAKING:
>>speech recognition: running
>>..
>>speech recognition: ((shit))
>>injury report:
>>>participant
>>>"27933"
>>>participant
>>>"08631"
>>>participant
>>>"00019"
>>active participant "NORTH _ YORK_55791204"
>>>DECEASED
>>opponent "JEDEKIAH_KHOURY_47257283"
>>>VICTORIOUS
>>programme: "terminated"


>>programme initiation: "start"
>>programme: "2644/994/0wfkfya6ik1"
>>active participant:
>>>>NORTH _ YORK_55791204
>>>>BW
>>>>FERR.BZ.
>>>>"1"
>>>>"12"
>>opponent:
>--------OVERRIDE
>>database access:
>>.....
>>permission: GRANTED
>>opponent:
>>>>JEDEKIAH_KHOURY_47257283
>>>>SW
>>>>SPRHK.
>>>>"418"
>>>>"199"
>>programme: "INITIATED"
>participant SPEAKING
>>speech recognition: running
>>.............
>>speech recognition: ((they _ think _ im _ insane _ and _ i _ probably _ am _ but _ i _ had _ to _ try _ because _ we _ all))
>participant CRYING
>JEDEKIAH_KHOURY_47257283 database response:
>"LAUGH#041"
>JEDEKIAH_KHOURY_47257283 database action:
>"GRAB PISTOL#733"
>participant HANDS UP
>>facial recognition: running
>>.......
>>facial recognition: "GRIEF"
>JEDEKIAH_KHOURY_47257283 database response:
>>......
>>NO DATABASE RESPONSE LOGGED
>>>IGNORE COMMAND
>>standard response:
>"LUNGE#160"
>participant BACKING AWAY
>participant SPEAKING
>>speech recognition: running
>>.......
>>speech recognition: ((i _ just _ had _ i _ had _ i _ had _ to _ say _ something _ and _ it's _ a _ bad _ idea _ but))
>JEDEKIAH_KHOURY_47257283 database response:
>>........
>>NO DATABASE RESPONSE LOGGED
>>>IGNORE COMMAND
>>standard response:
>"SHOOT#951"
>participant SCREAMING
>>injury report:
>>>participant
>>>#85717
>JEDEKIAH_KHOURY_47257283 database response:
>"LAUGH#249"
>"SHOOT#952"
>participant SCREAMING
>>injury report:
>>>participant
>>>#85717
>>>participant
>>>#85801
>>>participant
>>>#00047
>JEDEKIAH_KHOURY_47257283 database response:
>"DROP GUN#012"
>"STEP#417"
>"CLICK#993"
>participant CRYING
>participant SPEAKING
>>speech recognition: running
>>.....
>>speech recognition: ((you're _ a _ fucking _ bastard _ kiah))
>>word recognition: "FUCKING"
>JEDEKIAH_KHOURY_47257283 database response:
>"SPIT"
>>word recognition: "BASTARD"
>JEDEKIAH_KHOURY_47257283 database response:
>"LAUGH#063"
>>word recognition: "KIAH"
>JEDEKIAH_KHOURY_47257283 database response:
>"GLARE#091"
>JEDEKIAH_KHOURY_47257283 database action:
>"KICK#113"
>participant CURLING UP
>>injury report:
>>>participant
>>>#85717
>>>participant
>>>#85801
>>>participant
>>>#00047
>>>participant
>>>#09432
>>>JEDEKIAH_KHOURY_47257283
>>>#84731
>JEDEKIAH_KHOURY_47257283 database action:
>"KICK#115"
>"STAMP#283"
>"LAUGH#330"
>participant CRYING
>>injury report:
>>>participant
>>>#85717
>>>participant
>>>#85801
>>>participant
>>>#00047
>>>participant
>>>#09432
>>>participant
>>>#09449
>>>JEDEKIAH_KHOURY_47257283
>>>#84731
>JEDEKIAH_KHOURY_47257283 database action:
>"KICK#116"
>"KICK#866"
>>injury report:
>>>participant
>>>#85717
>>>participant
>>>#85801
>>>participant
>>>#00047
>>>participant
>>>#09432
>>>participant
>>>#09449
>>>participant
>>>#09771
>>>participant
>>>#44381
>>>JEDEKIAH_KHOURY_47257283
>>>#84731
>>active participant "NORTH _ YORK_55791204"
>>>DECEASED
>>opponent "JEDEKIAH_KHOURY_47257283"
>>>VICTORIOUS
>>programme: "terminated"


>>programme initiation: "start"
>>programme: "2644/995/0t0mefg11tz"
>>active participant:
>>>>NORTH _ YORK_55791204
>>>>BW
>>>>FERR.BZ.
>>>>"1"
>>>>"13"
>>opponent:
>--------OVERRIDE
>>database access:
>>.....
>>permission: GRANTED
>>opponent:
>>>>JEDEKIAH_KHOURY_47257283
>>>>SW
>>>>SPRHK.
>>>>"418"
>>>>"199"
>>programme: "INITIATED"
>participant SPEAKING
>>speech recognition: running
>>.....................
>>speech recognition: ((ive _ found _ endless _ excuses _ and _ reasons _ its _ a _ damaged _ system _ its _ mental _ health _ its _ just _ the _ way _ but _ all _ of _ those _ erase _ the _ you _ from _ everything _ and _ thats _ the _ opposite _ of _ what _ i _ i _ im _ here _ because _ were _ getting _ counselling _ now _ and _ they _ told _ me _ to _ write _ you _ a _ letter _ when _ i _ told _ my))
>JEDEKIAH_KHOURY_47257283 database action:
>"INTERRUPT"
>"LAUGH#581"
>"GRAB HAMMER#910"
>participant SPEAKING
>>speech recognition: running
>>...
>>speech recognition: ((fuck _ okay _ i _ just _ fuck _ fuck))
>>word recognition: "FUCK"
>JEDEKIAH_KHOURY_47257283 database response:
>"SNARL#811"
>>facial recognition: running
>>...
>>facial recognition: "PANIC"
>JEDEKIAH_KHOURY_47257283 database response:
>"SMIRK#191"
>"ADVANCE#663"
>participant BACKING AWAY
>JEDEKIAH_KHOURY_47257283 database response:
>"CLICK#964"
>participant SPEAKING
>>speech recognition: running
>>......
>>speech recognition: ((i _ only _ seem _ to _ fall _ in _ love _ with _ the _ ones _ who _ destroy _ me))
>JEDEKIAH_KHOURY_47257283 database response:
>>................
>>NO RESPONSE
>>>IGNORE COMMAND
>>standard response:
>"STRIKE#371"
>participant SCREAMING
>>injury report:
>>>participant
>>>#73627
>>>participant
>>>#04258
>participant SPEAKING
>>speech recognition: running
>>.............
>>speech recognition: ((aaaaaaaahhhh _ aaaaahhh _ fuck _ you _ you _ were _ a _ bonfire _ and _ the _ closer _ we _ stood _ the _ more _ alive _ we _ felt _ and _ i _ don't _ know _ if _ it _ was _ really _ you _ igniting _ life _ in _ all _ of _ us _ or _ whether _ you _ just _ burned _ out _ and _ took _ us _ with _ you))
>>word recognition: "FUCK
>JEDEKIAH_KHOURY_47257283 database response:
>"SNARL#811"
>JEDEKIAH_KHOURY_47257283 database action:
>"STRIKE#586"
>participant CRYING
>>injury report:
>>>participant
>>>#73627
>>>participant
>>>#04258
>>>participant
>>>#61947
>participant SPEAKING
>>speech recognition: running
>>.........
>>speech recognition: ((i _ dont _ doubt _ it _ any _ more _ even _ if _ i _ know _ there _ is _ no _ universe _ where _ you _ survived _ and _ we _ were _ bonfires _ together))
>JEDEKIAH_KHOURY_47257283 database response:
>>......
>>NO RESPONSE
>>>IGNORE COMMAND
>>standard response:
>"SPIT"
>"STRIKE#007"
>>injury report:
>>>participant
>>>#73627
>>>participant
>>>#04258
>>>participant
>>>#61947
>>>participant
>>>#04263
>>>participant
>>>#69133
>>>participant
>>>#05192
>>facial recognition: running
>>..........
>>facial recognition: "GUILT"
>JEDEKIAH_KHOURY_47257283 database response:
>>......
>>NO RESPONSE
>>>IGNORE COMMAND
>participant SPEAKING
>>speech recognition: running
>>.....
>>speech recognition: ((theres _ not _ a _ second _ i _ dont _ hate _ you _ for _ every _ single _ goddamn _ thing))
>JEDEKIAH_KHOURY_47257283 database response:
>>.........
>>NO RESPONSE
>>>IGNORE COMMAND
>>facial recognition: running
>>..
>>facial recognition: "ANGER"
>JEDEKIAH_KHOURY_47257283 database response:
>"LAUGH#067"
>>facial recognition: running
>>.....................
>>facial recognition: "GRIEF"
>>JEDEKIAH_KHOURY_47257283 database response:
>>...
>>NO RESPONSE
>>>IGNORE COMMAND
>participant SPEAKING
>>speech recognition: running
>>....
>>speech recognition: ((but _ i _ loved _ you _ i _ i _ love _ you))
>JEDEKIAH_KHOURY_47257283 database response:
>>...............
>>NO RESPONSE
>>>IGNORE COMMAND
>>standard response:
>"STRIKE#391"
>>facial recognition: running
>>............
>>facial recognition: "DEVOTION"
>>injury report:
>>>participant
>>>#73627
>>>participant
>>>#04258
>>>participant
>>>#61947
>>>participant
>>>#04263
>>>participant
>>>#69133
>>>participant
>>>#05192
>>>participant
>>>#15381
>>>participant
>>>#54199
>>>participant
>>>#19332
>>active participant "NORTH _ YORK_55791204"
>>>DECEASED
>>opponent "JEDEKIAH_KHOURY_47257283"
>>>VICTORIOUS
>>programme: "terminated"


>>programme initiated: "start"
>--------OVERRIDE
>>database access:
>>.....
>>permission: GRANTED
>>database access:
>>>JEDEKIAH_KHOURY_47257283
>>>>"DELETE"
>>>delete database JEDEKIAH_KHOURY_47257283 ?
>>>>"YES"
>>>deletion of database will remove all records of JEDEKIAH_KHOURY_47257283
>>>access will no longer be granted to JEDEKIAH_KHOURY_47257283
>>>all traces of JEDEKIAH_KHOURY_47257283 will be removed from database including responses, actions, and previous PRELIM records
>>>>"YES"
>>.....................................................
>>"JEDEKIAH_KHOURY_47257283"
>>>deleted
>>programme: "terminated"